This is a man’s world, especially in Hollywood, but these female directors are breaking and changing the rules.

It’s often talked about how women are portrayed in film; even today with cinema being as varied as it is, many movies still portray women as one-dimensional characters, falling into many gender stereotypes. But when the majority of films hitting our screens are made by men, it’s hardly surprising that the representation of women isn’t always up to scratch.

However, recent blockbusters like “Wonder Woman,” directed by Patty Jenkins, prove that the tides are turning and that there is a real desire to have stories visualized through the eyes of women just as much as men.

Discover some of the female directors we think you need to watch out for in the next few years, and their must see movies who also happen to champion complexed and strong female characters (or poke fun at stereotypes, in the case of number four).

5 Must-See Films By Female Directors

1. “Electrik Children” (2012) Rebecca Thomas

Including teenage pregnancy and fundamentalist religion, you don’t expect “Electrick Children” to be a barrel of laughs, but from start to finish it is full of infectious optimism and innocence. Centered on curious fifteen year old Rachel (Julia Garner), who believes she has been impregnated by listening to “Don’t Leave Me Hanging On The Telephone” on a forbidden cassette player, we follow her on a journey of self-discovery into the world beyond her Mormon family. Thomas handles potentially dark subjects with grace, never straying far from Rachel’s bright view of the world, with delicious cinematography as the cherry on top.

2. “Into The Forest” (2015) Patricia Rozema

Although “Into The Forest” can be described as an apocalyptic sci-fi, Rozema skips special effects and chaotic city scenes, instead favoring an inward glance into what the end of the world could really look like. Our focus is on sisters Nell and Eva (played by the equally fantastic Ellen Page and Evan Rachel Wood) who live in their remote house in the forest, whose world changes one day when the power goes out. Beginning as composed and calm, things slowly unravel little piece by piece. Brace yourself for this harrowing tale of sisterhood, loss, and survival.

3. “Queen Of Katwe” (2016) Mira Nair

Nair is a seasoned director with twenty four titles under her belt, but this latest collaboration with Disney is a must see for anyone who loves a heartwarming true story. Based on the rise of chess champion Phiona Mutesi from the slums of Katwe in Uganda. While her incredible story could have easily translated to overly soppy and out of touch on screen (and via Hollywood), it’s feel good and uplifting in all the right places, without straying far from the reality of what it’s like for one person’s life to change in such a dramatic way.

4. “Ruby Sparks” (2012) Valeria Faris and Jonathan Dayton

This may be directed by both a man and woman, but it’s so good that it has to make the list. You may know this movie making dream team better for their blockbuster Little Miss Sunshine, but this unusual romantic comedy is just as worthy of recognition. Bestselling author Calvin (Paul Dano) can’t get past his decade long writer’s block, until one day he’s inspired to write about the woman of his dreams, Ruby (Zoe Kazan). The twist in the story? Ruby soon comes to life! This fun flick has a serious side, commenting a lot of the idealization of women, and unrealistic expectations within relationships as a whole. Watch out for another release by this duo, “Battle Of The Sexes,” hitting cinemas later this year!

5. “Wadjda” (2012) Haifaa Al-Mansour

If there is one female director who is seriously killing it, it’s Al-Mansour. Not only is “Wadjda” a more than worthy watch, but it’s the first ever feature film by a female Saudi director. Elements of the film reveal just what a feat that is, in a country where life for women is wholly different from those in the West. Our protagonist Wadjda (Waad Mohammed) may be just a girl, but she’s not going to let anyone put her in a girls-only box. In fact, she is a badass. On a mission to buy the bicycle of her dreams, you’ll be rooting for her the whole way as she uses her wit, charm, and smarts to accomplish her goal with everyone against her; at times even her own mother. We’re keeping our fingers crossed for another feature from this trailblazing director in the future.

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There’s more to SXSW than just finding the next Zuckerberg.

For almost two decades since its founding in 1987, SXSW was known as the place to discover breaking new music acts and independent, off-beat films. SXSW Interactive, the festival’s lesser known venue -mainly due to the emerging nature of its medium – didn’t attract nearly as much public notice as its more established twin.

Fast forward a few years, as SXSWi has become a launching ground for some of the most formidable names in technology, including Twitter and Foursquare, and it has come to almost eclipse its original indie-music and film roots. In so doing, SXSWi has become something of an annual debutante ball for start-ups. Now, every spring in a time-honored Texas tradition, start-ups with a lot of VC funding “come out” to tech society (with handfuls of hoodies and logo tees in lieu of tiaras and white gowns).

Amidst the product launches, celebrity sightings, free t-shirts and libations flowing freely through the streets surrounding downtown Austin, it’s easy to forget that there’s an actual conference to go to. But with thousands of tech experts and luminaries on site to discuss timely issues having anything to do with technology today, participants stay on task. Additionally, despite the atmosphere that can definitely at times resemble a nerdy Cancun spring break, SXSWi happens to have a strong social component, with a multitude of events and sessions directly addressing the interplay between technology, innovation, and social impact.

This year, with “Better Tomorrow” as the main conference theme, panel subjects have ranged from race, gender, and class issues in the Silicon Valley, to using tech in dictatorships, to innovation and hacks in resource-limited societies, to leveraging online communities for social good projects.

Two panels, one of them led by CNN’s Soledad O’Brien, tackled the reasons behind the enormous racial and gender gap in Silicon Valley. According to CB Insights, about 1% of entrepreneurs who received venture capital in the first half of 2010 were African-American, even though they make up 11% of the general U.S. population. Compare this to the 87% of founders funded who are Caucasian, and 12% who are Asian.

Why the gap? Participants discussed how socio-economic barriers, an often late start in developing tech skills, and a Silicon Valley culture where tolerating failure is a necessity, have hampered diversity in the tech industry. Hank Williams, an entrepreneur, pointed out the economic realities of many African American communities, and how that combined with Silicon Valley’s culture of failing forward can act as a barrier to entry.

“Some groups, for whatever reason there may be, have the socio-economic flexibility to fail,” while for others, “Failure means no rent money…or being able to eat next week,” says Williams.

If YouTube, Facebook, or CNN.com comments are any indication, online commenters aren’t particularly well known for their kindness. However, a session featuring Alexis Ohanian, a Reddit co-founder, and panelists from Donorschoose.org, Reddit Gifts,
and the Awesome Foundation discussed how online communities can move beyond trolling to giving. By setting a tone for its online community and providing incentives that bring out the recklessly generous side of participants (think positive peer pressure, or trolling with a heart), Reddit has been a driving force for a variety of weird and wonderful altruistic projects. Reddit community members have even participated in the largest Secret Santa in the world, sent complete strangers pizzas on request, and facilitated a campaign to “charity blackmail” Stephen Colbert that raised over half a million dollars for Donorschoose.org.

Social ventures were a popular topic of discussion at SXSW, and affiliated events like the Good Capitalist Lounge sought to prove that social impact and profit margin weren’t two disparate entities. Though there are plenty of businesses out there with an ethos that have proven wildly successful (such as Patagonia and Melissa shoes), the conversation on social ventures can still seem a bit apologetic and defensive at times.

On a marketing panel, the utility of cause-related work (employee retention, increasing brand awareness, building trust) was challenged with the claim that any company creating jobs – whether it be Wal-Mart, McDonalds, or BP was providing an overall social good, and that profit margin shouldn’t be hampered by “wanting to go to heaven.”

That assumption, that jobs trump all other considerations, and that having an ethic behind any business is not only not profitable but not an endeavor worth pursuing for the bottom line, seems to be a well-ingrained notion that requires constant, thoughtful pushback on multiple platforms, and SXSWi is only one venue (though with lots more free food and music) to explore social impact and the tools that can facilitate it.

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