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	<title>Kashya Hildebrand Gallery artist &#8211; EcoSalon</title>
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		<title>heARTbeat: Ran Hwang&#8217;s Art Transcends The Idea of a Woman&#8217;s Work</title>
		<link>https://ecosalon.com/heartbeat-ran-hwangs-needles-pins-buttons-beads-177/</link>
		<comments>https://ecosalon.com/heartbeat-ran-hwangs-needles-pins-buttons-beads-177/#comments</comments>
		<pubDate>Thu, 01 Sep 2011 15:10:21 +0000</pubDate>
		<dc:creator><![CDATA[Dominique Pacheco]]></dc:creator>
				<category><![CDATA[Shelter]]></category>
		<category><![CDATA[columns]]></category>
		<category><![CDATA[dominique pacheco]]></category>
		<category><![CDATA[dominique pacheco for ecosalon]]></category>
		<category><![CDATA[eco]]></category>
		<category><![CDATA[green]]></category>
		<category><![CDATA[HeARTbeat]]></category>
		<category><![CDATA[Kashya Hildebrand Gallery artist]]></category>
		<category><![CDATA[Ran Hwang artist]]></category>
		<category><![CDATA[Ran Hwang installations]]></category>

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		<description><![CDATA[<p>Ran Hwang&#8217;s environments transport us to feelings, places, and concepts we find familiar and new. As a first-world woman in the second decade of the 21st century, it may at times be hard to imagine that a &#8220;woman&#8217;s work&#8221; is still very much at the center of most working women&#8217;s days. Work that involves, needles,&#8230;</p>
<p>The post <a rel="nofollow" href="https://ecosalon.com/heartbeat-ran-hwangs-needles-pins-buttons-beads-177/">heARTbeat: Ran Hwang&#8217;s Art Transcends The Idea of a Woman&#8217;s Work</a> appeared first on <a rel="nofollow" href="https://ecosalon.com">EcoSalon</a>.</p>
]]></description>
				<content:encoded><![CDATA[<p><a href="http://ecosalon.com/wp-content/uploads/Whimsical-Dream.jpg"><a href="https://ecosalon.com/heartbeat-ran-hwangs-needles-pins-buttons-beads-177/"><img class="size-large wp-image-94188 alignnone" src="http://ecosalon.com/wp-content/uploads/Whimsical-Dream-455x303.jpg" alt="" width="455" height="303" /></a></a></p>
<p style="text-align: left"><em>Ran Hwang&#8217;s environments transport us to feelings, places, and concepts we find familiar and new.</em></p>
<p>As a first-world woman in the second decade of the 21st century, it may at times be hard to imagine that a &#8220;woman&#8217;s work&#8221; is still very much at the center of most working women&#8217;s days.</p>
<p><a href="http://ecosalon.com/wp-content/uploads/Dreaming-of-Joy.jpg"><img class="size-large wp-image-94189 alignnone" src="http://ecosalon.com/wp-content/uploads/Dreaming-of-Joy-455x303.jpg" alt="" width="455" height="303" /></a><br />
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<p>Work that involves, needles, pins, thread and buttons is not the stuff of high concept or great economic value, until perhaps it finds its way into the hands of a couturier or fine artist.</p>
<p><a href="http://ecosalon.com/wp-content/uploads/Garden-of-Water.jpg"><img class="size-large wp-image-94190 alignnone" src="http://ecosalon.com/wp-content/uploads/Garden-of-Water-455x303.jpg" alt="" width="455" height="303" /></a></p>
<p><a href="http://ecosalon.com/wp-content/uploads/Museum-of-CA-Korea.jpg"><img class="size-large wp-image-94209 alignnone" src="http://ecosalon.com/wp-content/uploads/Museum-of-CA-Korea-455x302.jpg" alt="" width="455" height="302" /></a></p>
<p>Ran Hwang&#8217;s hand startles us with skill, scale and her connection to process. Her installations transcend laborious tedium, and become bigger-than-life, dreamlike worlds.</p>
<p><a href="http://ecosalon.com/wp-content/uploads/New-Empty-Me.jpg"><img class="size-large wp-image-94191 alignnone" src="http://ecosalon.com/wp-content/uploads/New-Empty-Me-455x256.jpg" alt="" width="455" height="256" /></a></p>
<p>Hwang says:</p>
<p style="text-align: left"><em>My immense wall installations are extremely time consuming and repetitive manual work. This is a form of meditative practice that helps me find my inner peace. Pins are used to hold buttons onto the surface to form a silhouetted image, or to disintegrate such image. No adhesive is used so the buttons are free to stay and move, which implies the genetic human tendency to be irresolute. I use buttons because they are common and ordinary, like the existence of human beings.</em></p>
<p><a href="http://ecosalon.com/wp-content/uploads/Two-Love-Tree.jpg"><img class="size-large wp-image-94192 alignnone" src="http://ecosalon.com/wp-content/uploads/Two-Love-Tree-455x303.jpg" alt="" width="455" height="303" /></a></p>
<p style="text-align: left"> <em>&#8220;By hammering thousands of pins onto a wall, I discover significance of existence. Like the monks practicing Zen facing the wall, my work is a form of performance that leads to finding oneself.&#8221;</em></p>
<p><a href="http://ecosalon.com/wp-content/uploads/detail-Two-Love-Tree.jpg"><img class="size-large wp-image-94196 alignnone" src="http://ecosalon.com/wp-content/uploads/detail-Two-Love-Tree-455x302.jpg" alt="" width="455" height="302" /></a></p>
<p>As we gaze upon her patterns and environments, it is hard not to think of the hours of hand work involved. The fact that Hwang exhibits at a prestigious <a href="http://www.kashyahildebrand.org/index.html" target="_blank">Swiss gallery</a>, has been reviewed by prominent art critics, and continues to produce critically acclaimed work is not lost on the viewer.  Hwang entices us with her personal meditations and tactile visual language.  The work grants us our own visual meditation, leading to an appreciation for her ability to transcend simple materials, boredom, and our own perceptions.</p>
<p><a href="http://ecosalon.com/wp-content/uploads/Flower-in-Desert-Orange.jpg"><img class="size-large wp-image-94197 alignnone" src="http://ecosalon.com/wp-content/uploads/Flower-in-Desert-Orange-424x415.jpg" alt="" width="424" height="415" /></a></p>
<p>&nbsp;</p>
<p>Images <a href="http://www.kashyahildebrand.org/zurich/hwang/hwang003_046.html" target="_blank">Kashya Hildebrand</a> &amp; Ran Hwang</p>
<p><a href="http://ecosalon.com/wp-content/uploads/heartbeat20013.jpg"><img class="alignleft size-full wp-image-94214" src="http://ecosalon.com/wp-content/uploads/heartbeat20013.jpg" alt="" width="200" height="46" /></a></p>
<p><a href="http://ecosalon.com/wp-content/uploads/dom16.jpg"><img class="alignleft size-full wp-image-94213" src="http://ecosalon.com/wp-content/uploads/dom16.jpg" alt="" width="100" height="150" /></a><em></em></p>
<p><em>Eco, trends, art, creativity and how they tumble through social media to shape culture fascinate EcoSalon columnist Dominique Pacheco. Her personal blog,<a href="http://ecosalon.com/wp-content/uploads/dom15.jpg" rel="shadowbox[sbpost-93397];player=img;"> </a></em><em><a href="http://mixingreality.com/" target="_blank">mixingreality</a>, speaks to these topics daily, and here at EcoSalon, she takes a weekly look at the intersection of eco and art. We call it heARTbeat.</em></p>
</p><p>The post <a rel="nofollow" href="https://ecosalon.com/heartbeat-ran-hwangs-needles-pins-buttons-beads-177/">heARTbeat: Ran Hwang&#8217;s Art Transcends The Idea of a Woman&#8217;s Work</a> appeared first on <a rel="nofollow" href="https://ecosalon.com">EcoSalon</a>.</p>
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