The reaction to this series by women of all ages via social media has been really amazing. When EcoSalon introduced it two weeks ago, launching with Americana Couture designer and author Natalie Chanin, fashion writer and textile artist Abigail Doan, Owyn Ruck of Brooklyn’s Textile Arts Center as well as occupational therapist and FiftyRX3 writer Jill Danyelle, many people either wrote to us at the site or commented via Twitter and Facebook. Among some of the reactions, the series is being used as reading material for knitting groups; while others have expressed that without the ability to sit quietly and use their hands, they’d need to jump back on anxiety medications.

Maybe there’s something to all this handiwork?

How it all began: When I came across this blog entry from sustainable designer and writer Natalie Chanin, it not only piqued my perception of the positive effects of “women’s work,” but it brought to light a real aspect of how using our hands to do meaningful tasks can benefit our overall health and well being.

Chanin cites neuroscientist Kelly Lambert, author of Lifting Depression:

“Lambert shows how when you knit a sweater or plant a garden, when you prepare a meal or simply repair a lamp, you are bathing your brain in feel-good chemicals and creating a kind of mental vitamin. Our grandparents and great grandparents, who had to work hard for basic resources, developed more resilience against depression; even those who suffered great hardships had much lower rates of this mood disorder. But with today’s overly-mechanized lifestyle, we have forgotten that our brains crave the well-being that comes from meaningful effort.”

With the sustainable stretching out of the fashion movement, there’s been a serious harking back to the glory of heritage and craft and designers with good ears are listening. And well they should with generations strong of everything from indigenous artisans to Depression Era stitchers coming out of the woodwork to teach, inspire and pass on before the knowledge is lost. Designers are listening and incorporating these aged techniques and making them fresh, new and revolutionary.

A designer with those aforementioned “good ears,” is the last member of our series. Titania Inglis designs a line of minimalist-inspired clothing made of experimental constructions and functional details. Her third collection “References vintage glamor via geometric forms created through bias cuts, origami pleating, and ingenious seaming. A sleeveless dress reverses from a prim suit dress to a low-backed mod frock, while diagonal-seamed dresses approach the ideal of zero waste.”

Titania Inglis in her studio

Inglis lives and designs and rides her vintage bicycle everywhere in Brooklyn, and chronicles her adventures and misadventures in the fashion world on her blog, Fade to Green.

Regarding the importance of using her own hands to design, to communicate and ultimately, to achieve sharp mental clarity, she has much to say.

“A lot of people outside the fashion industry don’t seem to realize that all clothes are made by hand, to varying degrees. Yet from the initial sketches, to selecting fabrics, to draping and cutting and sewing and fitting a garment, every step requires the human touch. Sewing machines don’t run themselves, as anyone who’s ever tried to use one can attest!

It was the hands-on nature of clothing design that drew me to it, for reasons I couldn’t fully articulate as a young woman. I set out to become a graphic designer, but within weeks of starting design school, I realized that I found infinitely more satisfaction in creating a physical object with my hands. Fabric, with its drape and heft and texture, and clothing, so intimately interacting with the human body, were perfectly tactile, and perfect for hands-on work.”

Swatches from dye tests for the Titania Inglis collection

The designer continues: “For me, design begins with the materials. I drape most of my pieces by hand as a way to explore what the fabric wants to do, what directions it wants to go and what shapes it can make. In my designs, every seam needs to justify its existence, every cut in the fabric serves a specific purpose, and I find my way there by hand, by draping and pinning and snipping and marking each pattern piece, one at a time until I have a complete garment.”

Inglis says there is rich satisfaction in every step of the process: “When I’ve successfully draped a piece so it sits just so, when a pattern is beautiful in and of itself, and finally in seeing the finished piece and how it moves on the body. I often go through three or four muslins per piece, pinning and re-fitting and sometimes re-draping an entire garment until I’m satisfied that everything is right with it: the fit, the proportion, the details.”

Titania Inglis’ Studio

One showroom rep commented recently told Inglis her line was “so simple and yet so complex.” Reflecting upon this, Inglis observes, “I think that’s a reflection of the work I put into refining each piece. My work process is almost meditative; I come into my studio, prepare myself a steaming mug of green tea, cut off a length of fresh muslin, and I’m ready to go, completely cut off from the world outside. When I really get going, I can work for hours on a piece, late into the night, snipping through the fabric and feeding lengths of fabric into the eager sewing machine to create a muslin, then fitting and pinning and re-working it until it’s perfect.

I love clothing design for its communicative and aesthetic possibilities, but also very much for the craft of it. Many designers prefer to simply hand off sketches to a pattern maker, but for me, the process is the design. It feels a bit pompous to talk about the integrity of the piece and purity of form, but those are qualities I strive for, and I really can only get there with my own two hands.”

Image: supersonicphotos

The post Using Your Hands to Soothe the Brain: Part 3 appeared first on EcoSalon.

Women have innately basked their brains in feel good juices since time immemorial to get through tight economic and emotional times. Though dovetailed as woman’s work and not really discussed, for centuries women have enjoyed the calming properties of knitting, sewing, embroidering or even just rhythmically folding or ironing clothes.

When I came across this blog entry from sustainable designer and writer Natalie Chanin, it not only piqued my perception of the positive effects of “women’s work,” but it brought to light a real aspect of how using our hands to do meaningful tasks can benefit our overall health and well being.

Chanin cites neuroscientist Kelly Lambert, author of Lifting Depression:

“Lambert shows how when you knit a sweater or plant a garden, when you prepare a meal or simply repair a lamp, you are bathing your brain in feel-good chemicals and creating a kind of mental vitamin. Our grandparents and great grandparents, who had to work hard for basic resources, developed more resilience against depression; even those who suffered great hardships had much lower rates of this mood disorder. But with today’s overly-mechanized lifestyle we have forgotten that our brains crave the well-being that comes from meaningful effort.”

I asked Chanin myself, with all the women working for her, has she ever heard a remark about how working with their hands helped get them through hardships or that their disposition changed the moment they picked up needle and thread?

“We have had several stitchers remark that they just don’t ‘feel good’ when they don’t have a project to work on. I remarked in Alabama Stitch Book that I sometimes use sewing when I have a difficult decision to make or when I need to brainstorm and find ideas,” says Chanin.

So does the physical act of using your hands to “make,” increase some sort of chemical reaction that basks your brain in feel good, all-natural cocktails that can enhance your sense of well being?

I caught up with a few reliable sources to see what they thought about it.

Abigail Doan, Ecco Eco Founder and Textile Artist

I have always linked crafting with one’s hands to agricultural activities. Having grown up on a small family farm, I was fortunate to have had the opportunity to work with the soil, build fences, spin wool, and learn a variety of fiber-crafting skills. My mother was a self-taught hand spinner, and there is no doubt that the activities that we performed as a hands-on household curbed depression and day-to-day boredom.

I believe that people are currently drawn to these activities as they allow one to feel environmentally grounded and connected to a place, despite all of the uncertainty that presently surrounds us. Understanding the start-to-finish process of any craft-based activity mirrors life cycles and the rhythms of nature. For urban dwellers specifically, this is a great way to stave off the depression that comes from prolonged anxiety and a lack of centeredness. Keeping one’s hands moving also mimics activities like plowing, raking, weeding, or milking. We can lose ourselves in the patterns and textures created, and this for me is extremely therapeutic and restorative. It creates a one-to-one relationship that makes everything else simply fade away. It’s a healthy sort of addiction that replaces other forms of disease.

Jill Danyelle, Occupational Therapist and Founder of FiftyRX3

We are typically more motivated to engage in an activity that has some meaning, enjoyment, or purpose.

As a therapist, I work with children and tend to accomplish a lot under the guise of play, but I am also responsible for handwriting, which is often a dreaded task for my clients. I find the kids are most motivated to write if they can also draw and color pictures and tell a story. This year, I have had two boys collaborate on writing a story, which has motivated them to practice writing for the last two months, as they were excited to add a new phase to the story every session. We just ended it – although they keep trying to add more and more details – and now they are finishing all of the illustrations. They have a real sense of pride about the work, which I am going to publish in book form so they can share it with friends and family.

On the other end of the age spectrum, years ago I worked in a geriatric rehab facility every other Saturday. The clients were not motivated to do rote exercise, so I had to disguise it in activities. I would take all the neatly folded towels that were delivered from laundry and dump them in a pile on the table. Then I’d get two or three clients around the table and ask them to stand up and help me fold the towels. In the process they would start making small talk, so they were socializing, working on standing balance, bilateral coordination, upper extremity strengthening, etc.

In one of my internships with an Adult Mental Health Day Treatment program, I ran several groups including a kind of “talk therapy” group and a crafts group. Interestingly, nobody said too much in the “talk” group, but when they were busy crafting I think they felt less pressured and all sorts of things would come out.

Image: Mr T in DC

The post Using Your Hands to Soothe the Brain: Part 1 appeared first on EcoSalon.