ColumnWhere celebrity becomes conscious.

The stock market is on a roller coaster, financial oligarch Warren Buffet is calling for all the other financial oligarchs to get real, and everyone has been holding their breath about Greece. Such are the times. We  would all do well to tighten our belts and remember that life isn’t about material things.

Unless you’re in a Hollywood movie, that is. Tinsel Town is notorious for glamorizing materialism and consumption. A movie shopping montage can look as all-American cool as James Dean slouched over in a leather jacket. Today, James would now be entirely represented by Ryan Gosling’s six-pack abs.

Films and sitcoms have long been guilty of bumping up the characters’ environs a tax bracket or two beyond realistic. But in the current economic climate (not to mention climate climate), some films are particularly jarring – a rather sad retrospective on a society that’s consumed itself like some mythical Greek tragedy. Or, cinema is about fantasy and we’re no fun. Only our closets and bank accounts can decide. Herewith, the seven most materialistic movies to date:

Sex and the City 2 (2010)

This sequel behaved exactly like a feral puppy holding our favorite adolescent book in its mouth – it shook and snarled and shattered our happy memories of a fantastic HBO series until all that was left were sloppy, spit-soaked scraps on the floorboards. For many, this is what happened when Sex and the City was first brought to the big screen in 2008. For almost all, the 2010 sequel was the final nail in their gold-plated coffin.

The plot of this movie entailed taking our favorite female Manhattanites, Carrie, Samantha, Charlotte and Miranda, and propping them against miles and miles of Gucci, Dior, and Prada. Our gang eventually heads to Saudi Arabia, only to find they aren’t so welcome in Islamic culture. But not to worry, Saudi women are fine. Underneath their Hijabs and Abayas are just more Gucci, Dior, and Prada. Can we say ridiculous, racist, and radically offensive consumerism? Yes, we can.

Crazy Stupid Love (2011)

It’s no secret we love Ryan Gosling. Nonetheless, his latest movie didn’t even bother to keep consumerism in check. The plot runs something like this: Gosling helps the old guy become cool, get girls and get laid by buying clothes. Don’t worry; he’s got a trust fund! And did we mention that old guy’s ex-wife lives in a sprawling home that is totally unrealistic for a middle class Los Angeles family? Yes, it’s 2011 and we’re still making these sorts of movies.

Pretty Woman (1990)

Evidently, what makes a great antidote to a soul-shattered life filled with prostitution, murder, and drug use is shopping on Rodeo Drive! Just make sure your “heart of gold” charms your John into leaving you with a credit card you can thumb in the noses of snobby Beverly Hills salesgirls. We acknowledge that Edward and Vivian rode off into the sunset together at the end of the movie, happily in love. After all, isn’t selling your body for money romantic? (We prefer to be called realists.)

Marie Antoinette (2006)

Marie Antoinette is not exactly known in history for her socially-conscious contributions to society. So a flashy, updated biopic on her life shouldn’t be expected to read like a remake of Gandhi. However, Sofia Coppola’s ill-fated French queen was compared to a modern day Paris Hilton. What gave critics that idea? Possibly the miles and miles of film focused on shoes, couture, hairstyles and more. Was it all bad? The film boasts an incredible soundtrack (New Order, anyone?) and is gorgeously shot against Versailles itself. Consumerism is made hip, cool, and pretty – and ultimately, deadly.

Clueless (1995)

Is it ironic that a film about materialism stars one of the Hollywood’s green darlings? As if! Cher, played by vocal vegan and PETA pin-up Alicia Silverstone, shops her way around this update of Jane Austen’s Emma. Problems are solved if only the right outfit can be found. In the end, our Cher-Emma-Alicia finds true love with her socially-conscious step-brother. So maybe this was just art imitating an eventual reality for the lovely Ms. Silverstone.

Confessions of a Shopaholic (2009)

This film about a shopping addict who falls for a wealthy entrepreneur had the misfortune of debuting just after the dawn of the Great Recession. As one review wrote in 2009, “When P.J. Hogan’s out-of-step comedy was conceived, conspicuous consumption was the norm. Yet here we are, only nine months after the [first] Sex and the City movie and an obsessive spender with an overstuffed closet, and credit card bills to match, no longer seems quite so cute.”

The Devil Wears Prada (2006)

Set at Runway (aka Vogue) magazine, Anne Hathaway’s Andy Sachs finds her fight to the top is streamlined once she raids the hallowed halls of the magazine’s sample closet. We’re even treated to a montage of amazingly-styled outfits as Andy makes her way to work through the streets of New York City. (See? We’re not total shopping curmudgeons.)

But how did Andy justify the new wardrobe? There’s some lip service that she gets the clothes for free via Stanley Tucci’s benevolent godfather-style tutelage. But could a Conde Nast assistant ever afford such a wardrobe without a healthy bank account not possibly acquired solely as a Conde Nast assistant? Not likely. And did she really need it? Only in the minds of a Hollywood executive.

This is the latest installment in Katherine Butler’s column, Shade Grown Hollywood, where celebrity becomes conscious. “Shade grown” refers literally to shade grown coffee, a farming method that “incorporates principles of natural ecology to promote natural ecological relationships.” Shade Grown is our sustainable twist on Hollywood.

Image: zoonabar

The post Shade Grown Hollywood: Materialism at the Multiplex appeared first on EcoSalon.

Haruku ballet flats (above) by Hetty Rose, made from vintage Kimono fabrics.

“Fashion is about two things: the evolution and the opposite,” was Karl Lagerfeld’s proclamation to press during a preview of his spring couture collection. I’m not sure he was referring to the flat and the wedge, but the Chanel model wearing pretty black ballet shoes with transparent ankle straps did appear a strike against a suddenly dated stiletto.

This season, it’s about choosing the thin edge or the wedge. The divergent shoe choice reflects an unusual unfolding between successive fashion era influences. The tunics and square-shouldered cuts are clearly inspired by the spare minimalism of the 1960’s, shown side-by-side with relaxed tailored ensembles informed by the free-flowing heyday of YSL in the 70’s.

From my recent experience of graceless clomping through Mumbai’s higgledy-piggledy streets, I can’t agree with Harper’s Bazaar’s assessment of the new platform as, “the hip, walkable flat wedge.” It is, however, the only option for anchoring the billowing looks of the 1970’s. Flowy is one thing, floppy, another.

I’m sticking with last summer’s wood wedges with tan leather straps and studs from Celine’s standout collection. They’re the perfect balance of polish and rustic, and justifiably informing many similar looks this season.

Coclico’s Morphos Wolf Wedge (above) in soft grey suede.

For those of us not blessed with a high instep that naturally makes wearing high-heeled shoes comfortable, the return of flat shoes in the form of ballet flats and oxfords is welcome news. The lack of height and weight of the shoes requires a tapered leg and streamlined silhouette. While a nude oxford updates black skinny jeans nicely, the tight silhouette of the ballet flat provides a risk-free point of accent for injection of this season’s trend for neon hues. Bright yellow, orange and red are key colors for shoes and bags this season.

Vegetable tanned leather megumi ochi style 1984 taupe oxford (above).

The ingenious use of stripes, novelty prints and color blocking as seen at Louis Vuitton, Jil Sander and most arrestingly, Prada, are influencing accessories designers too. If you, like me, are irrationally tempted by the trend for pink jeans as soon as the weather thaws, a bright red ballet shoe would amp up the look.

Recycled Babylon Flat (above) in red, by Olsen Haus.

The post Shoes for Spring: The Edge vs The Wedge appeared first on EcoSalon.

As the clocks get turned back for another winter, getting dressed in the morning can be a chore. Now is the time you can be forgiven for not wanting to trade your nice warm blanket for clothes. Luckily, fashion has cozied up to the idea of chunky knits this season, so you can keep your blanket and wear it too.

Cable-knit sweaters, floor-scraping hand-knitted scarves, thickly woven skirts and woolly tights. Before telling you how to put this unlikely lot together, think back to the last time you wore any of these things. Unless you grew up in Greenland, you were probably in pre-school. Thus hinting at both fashion’s emerging nostalgia for all things seventies, and the synonymous bohemian, gypsy attitude you’ll need to channel to pull the look off. Referencing the relaxed, folksy style that emerged from the disco and hippie era is the best route to styling this season’s handcrafted and patterned knits.

You can get on board with this look easily from low-impact sources such as thrift and vintage. Look for anything that looks graphic and hand-knitted. If you’re looking online, include the search terms Fair Isle, Peruvian or Aran to find traditional patterns and motifs. A pair of rosy cheeks is all you’ll need to accessorize.

Prints and heavier knits can be tricky, because they make such a bold statement. If you’re afraid of looking too wild and woolly, there are some tips to keep the look modern and streamlined. While the models at Prada showed chunky-knit sweaters paired with woolly skirts and tights, it’s one of those many runway examples that miss the mark with regular bodies. I think it’s nice to contrast the bohemian style of your chunky knit with something that has structure – a tailored pant, classic blazer or crisp denim – no fading, holes or fraying. Pair your knit with neutral basics in shades of black, winter white, gray or brown. A turtleneck is the perfect retro underpinning. Wear a substantial shoe to balance the bulk of the wool. If you are confused about what shoe color show to wear, pick any color that is in the print and it will probably work. Adding a narrow belt to give you a waist defines a too loose silhouette.

I don’t need to tell you to steer away from anything that looks like it belongs on a Christmas card, but if you don’t have the time to rummage and want to buy new – here are some good eco options.

Opening Ceremony Pendleton Military Coat in Red from Creatures of Comfort.

Granted Knit Cardigan in Blue from Beklina.

Julie Park Batwing from Beklina.

Image: Neiman Marcus

The post Baby, It’s Cold Outside: The Chunky Knit Is a Winter Classic appeared first on EcoSalon.