Interpreting Anna Sui’s true blue fall style with vintage and thrift finds is easy, you just have to know what to look for.

When confronting the barrage of fashion’s endless micro trends, it’s tempting to head for the safety of your style comfort zone, whether it’s leggings and tees or the dress that never fails you. Having a collection of wardrobe staples that you look and feel great in is half the war of looking good.

But like in life, standout style can only evolve when we are willing to feel awkward when trying something new. So if the fashion thrill is gone, start experimenting – it’s what makes fashion fun. The best way to do this if you’re eco-minded, or a style lover who can’t bear to look like everyone else, is interpret the latest runway trends with vintage and thrift finds. It’s cheaper than buying mass market fashion and prevents those items from ending up in the landfill.

Here are our picks for five items that can be found in abundance in vintage and thrift stores and – luckily for you and the planet – are enduring fall styles.

Isabel Marant’s Oversized Coat

The Oversized Coat –  Big is beautiful this fall, with cocoon-shaped, oversized coats seen on Isabel Marant, Jil Sander and Kenzo’s runways. If you buy one thing from a thrift store this year make it fall’s must-have silhouette for outerwear. Typically, secondhand men’s coats are a miss for their boxy, sloped shoulder style – this season those elements are bang on. Balance the look with slim cigarette pants and add a belt if you feel too swamped.

Reed-Krakoff’s chunky oversized sweater

The Chunky Knit Sweater –  The emphasis on big continues with cozy, comfortable cable knits. If you can find a chunky cable knit, particularly from an American heritage brand – grab it, you’ll be in good company with Michael Kors, Missoni and Reed Krakoff who showed off their statement making knits on fall runways.

Balmain blazer with gold buttons

The Navy Blazer – Synonymous with country living and boating activities, the classic blue blazer with brass buttons is enjoying a revival as a high contrast piece to wear with more casual looks. Flung insouciantly over shoulders like a trench coat, you’ve just upped the ante on preppy style.

Anna Sui’s blue on blue detail

Anything Blue – Forget shades of grey, this season the new neutral is blue. The monochrome look will continue for fall, with fresh-looking shades of blue layered upon with the occasional hint of black. Another way to interpret this trend is the denim-on-denim look, stock up on denim shirts, and denim vests in a soft blue hue to make pairing with dark-washed jeans a more dressed up look.

Jason Wu’s Army inspired jacket

The Army Jacket – This season is definitely military minded, but more relaxed than in past revisits. An epaulette here, a spot of camouflage there – achieving this look is all in the details rather than sporting a full on uniform. Thanks to designer’s ongoing plundering of the theme, expect to find options galore in your local consignment store.

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After a rough patch, business in NYC’s Garment District is starting to pick up.

For decades, fashion mavens and budding designers have flocked to the quadrant between 34th and 42nd Streets, hedged in by 5th and 9th Avenues. Here, in New York City’s Garment District, fabric can be purchased, patterns made, pieces sewn, trimming added, and dreams realized, all in the space of a few blocks. Designers like Donna Karan, Calvin Klein, and Oscar de la Renta have all made the Garment District their home at a point in their careers, and countless others got their start in the neighborhood. At one time, the Garment District was the global hub of textile manufacturing. But not anymore.

“The only thing that has not changed is the location,” says Anthony Lilore, owner of RESTORE Clothing and a founder of the Save the Garment Center movement. “The physical appearance has gone from streets packed with garment racks and push carts, to some racks, some push carts, and some rickshaws with tourists.”

Indeed, over the past fifty years, the Garment District has seen a steady decline in business, owing primarily to overseas outsourcing, mostly to China. When that picked up in the early 1990s, family-owned companies in business for generations were forced to shut their doors, and designers, burdened by the higher rents and rising costs of working in midtown Manhattan, moved elsewhere. Most of those who have survived the downturn and recession say they’re hanging on by a hair.

“At this point, it’s a labor of love,” says Maria Lipari-Bertone, whose family has run Quality Patterns, which specializes in grading and marking, for more than forty years. “This is our bread and butter. Many of us came from overseas, and we made our lives in the Garment District.”

But there are signs of revitalization. At New York’s first City Source Expo, held January 10 at the Fashion Institute of Technology, more than fifty producers, suppliers, and pattern makers turned out to field questions and take orders from attendees interested in local production. Several vendors said that they’re starting to see an uptick in sales, mostly due to China’s rising “minimums” for new orders, a weak dollar, and higher shipping costs. Lipari-Bertone says that many new designers can no longer afford to work in China, so they’re starting to inquire into local production again.

Plus, in recent years groups like Save the Garment Center, Made in Midtown, and the Garment Industry Development Corporation have surfaced to advocate for Garment District preservation and serve as a resource for designers interested in manufacturing there. Backed by New York fashion industry vets like Nanette Lepore, Anna Sui, Jason Wu, and Yeohlee Teng, these groups emphasize the district’s historical, creative, and economic value to the city of Manhattan.

Made in Midtown says:

Ultimately, this story is about much more than fashion. It’s about one of the last neighborhoods in Manhattan that has not yet been remade by recent waves of new development. It’s about jobs and immigrant workers. It’s about the decisions city officials make to support certain kinds of businesses.

And for designers interested in sustainability, a one-stop-shop like the Garment District means a more compact production process, which eliminates the costs, both financial and environmental, of working with subcontractors in different parts of the world.

“The quality of craftsmanship and the concentration of schools, designers, sample rooms, showrooms, production, and stores make the Garment Center the only one of its kind anywhere,” says Lilore.

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