Column10 finalists compete to have their design produced in The IOU Project’s “Made in NYC” Capsule Collection.

The DIY with IOU Sustainable Design Competition recently announced their 10 finalists in the race to have their fashionable creation produced as part of The IOU Project‘s inaugural “Made in NYC” Capsule Collection. Known for their transparent approach about their supply chain, The IOU Project’s products are traceable so purchasers of their fashionable frocks can find out how their garment was produced, where it was made, and who was part of the creation process. Organized in collaboration with Source4Style, the finalists are now in pattern+sample mode, constructing their final entries, which can be either a garment or accessory. For a look at the varying aesthetics these designers harbor, a look from each finalist is showcased below.

Tara St. James

Swati Argade

Lara Miller

Emily Saunders

Minna K

Lisa Linhardt

Francisca Pineda 

Marina Davis

Carrie Parry

Aga Smiechowska

Get Your Madras On

With a variation of The IOU Project‘s statement handwoven madras fabric in hand, each innovative and mindful designer is currently in their zone, on their way to present the final pieces by the end of the month. The fashion designer behind The IOU Project, Kavita Parmar, began the story’s label with handwoven madras fabric from Chennai (which was previously known as Madras). According to Source4Style’s Summer Rayne Oakes, “Kavita met with each and every artisan that The IOU Project currently works with to understand their needs – and to share in the beauty of their craft. The iconic material has such a rich history and an incredibly powerful story; it’s meaningful to share in that with other designers.”

Entrant Jessica Hosoi’s sketches; Oakes tells EcoSalon, “I enjoyed the designers who took the time to submit sketches of products… it showed that they put in thought and effort.”

The IOU Project’s madras will be available on the Source4Style platform after the winner is announced, so any designer will have the option to join in the checked fun. The winning design will be selected on March 29th, and not only will be produced as part of The IOU Project’s “Made in NYC” Capsule Collection, but the standout designer will receive 50% of the profits and have the chance to showcase their piece at a trunk show at ABC Carpet & Home, and sell it on www.TheIOUProject.com and Fab.com.

For Oakes, this competition is all about portraying to the inner and outer sustainable design community that, “there is much joy and reward that comes in valuing the process of making a garment as well as the people along the way.”

The post 10 Finalists Are Off & Designing For The DIY With IOU Competition appeared first on EcoSalon.

Column“Best regards and please continue to bark up the right tree.”

These were the closing words of wisdom I received from Oliver Heintz, founder and managing director behind BARK CLOTH®. His email salutation is potentially playful or maybe meant to leave a mark on your memory. Regardless, through this signature, I was inevitably inspired to trek deeper into deconstructing the fibers of the forest, to uncover the origins of two sustainable materials in particular: bark cloth and Lenzing’s tencel.

BARK CLOTH

Derived from the Mutuba tree (wild common fig), Heintz’s BARK CLOTH® is the pioneer in developing fabric from this wood-based material; they have been cooperating with small-scale organic farmers in Uganda since 1999. Traditionally, bark cloth is manufactured by the Baganda people; in their process, the inner bark is harvested during the rainy season, and then transformed into a soft fabric by using various wooden hammers. With such an organic creation process, bark cloth can have extensive varying textures and shades of brown.

It may seem perplexing to imagine bark as a material that you could actually wear. But remarkably, the process of stripping bark from trees and removing the soft inner layer to make it into softer, wearable garments – like loincloths and purses – is thought to have been around since 4,000 B.C., where it began in southeastern China. For the Ugandan-Germany family venture BARK CLOTH®, the material’s essence is undeniably distinguished: “Its strong contrast between archaic authenticity and state-of-the-art textile finishing processes generates a convincing effect for nearly unlimited applications.”

In the nineteenth century, bark cloth production slowed with the introduction of cotton cloth by Arab traders. However, the Baganda people have continued to embrace this traditional craft, particularly for their cultural and spiritual functions. UNESCO even named “the art of bark cloth making in Uganda” as a World Cultural Heritage site in 2008.

Bark Cloth – available on Source4Style

With roots of holistic capacities, the source – the Mutuba tree – serves as a significant sustainable resource in East Africa. It is considered one of the most multipurpose plants, especially in areas where intensive banana-coffee lakeshore land use systems are in place. Its roots transfer nutrients from deep soil areas closer to the surface, while its canopy above shades the banana and coffee shrub. Not only does the Mutumba’s presence boost crop yields, but it also serves as construction wood, fast growing firewood, its leaves rot quickly and function as an excellent fertilizer, and it also possesses medicinal properties – tea can be made from its leaves to treat a sore throat, while the tree’s latex is a skin ointment to cover wounds.

A refined, more “finished” variation of bark cloth, BARKTEX® seems to be proving just as multifaceted as its mother tree. Currently, DLR Aerospace Centre is testing it for use in airplane wings, while the company is also cooperating with the Freiburg Rainforest Institute in an effort to develop ecologically, economically, and socially sustainable materials for use in sports equipment and outdoor gear.

Bark cloth belts at Christian Siriano SS11 at NYFW

And, yes – bark cloth has now pounded its way into the high-end fashion sector as well. As one of the earliest members of Source4Style, Christian Siriano discovered the material through their sourcing platform, and designed a collection of belts that were featured in his Spring 2011 Collection at New York Fashion Week. Others have fashioned bark cloth into trench coats, shoes, and mind-blowing gorgeous dresses.

DIY extraordinaire and author of P.S. I Made This, Erica Domesek, recently acquired a bundle of bark cloth.

As she tells EcoSalon, “One of the beauties of what I do is that I’m attracted to materials. It’s kind of like when you buy a really nice dress, and you save it for a special occasion. I’m that way with materials – I hold onto them until I know exactly what I want to do. The bark cloth is definitely not an everyday material – it’s something special.”

We can’t wait to see what fabulous creation Domesek evolves from the wood-ware, when the time is right to let it shine.

TENCEL

TENCEL® is a fiber procured from the wood pulp of eucalyptus trees, and produced by Lenzing, the only fiber producer in the world to possess the European Union Eco-label. So, to chop it down to the basics: excess wood pulp is processed into a thread that can be woven into super-soft tencel fabric.

U.S. Marketing Manager of Lenzing, Tricia Carey tries to break it down for us. Basically, Lenzing purchases FSC-Certified wood pulp, then adds a non-toxic solvent called amine oxide. This solvent goes through a closed loop cycle and then the fiber is extruded through the spinnerettes and cut into specific staple lengths.

Not only is tencel biodegradable, its fibral makeup is innately formatted for comfort. As you can see by the above image, the surface of tencel is smoother and more supple; wool tends to be more scaly, while cotton is irregular and rough in texture.

“Tencel has been commercial for 20 years and in that time the expansion has been amazing. Most recently we have seen more use in activewear garments and denim. Tencel is used at retailers like J. Crew, Banana Republic, Gap, Nordstrom, Victoria’s Secret, Ann Taylor, Club Monaco, Target, J. Jill, Macy’s and more,” Carey tells EcoSalon.

J.Crew Tencel Shirt

As cotton production becomes more difficult to keep up with due to population increases, economics, water waste, and inconsistent climate shifts, man made cellulosic fibers (MMCF) may be the fabrics of the future.

Carey tells EcoSalon, “We can clearly see the demands on the earth will continue to increase as the global population continues to grow.  Land will be needed for food crops and water for drinking. There is a ‘Cellulosic Gap’ where there will be a demand for more regenerated cellulosic fibers, like viscose, modal and TENCEL®.”

So, what does the future of fashionable fabrics hold for us? And, will cotton no longer be the fabric of our lives?

ALSO READ:

THREADED: The Awamaki Lab Places Peruvian Handwoven Textiles Front & Center

THREADED: Julia Ramsey Sheds Her Skin About ‘Pelt’

Image: Raymond Meier

The post THREADED: Wearable Woods – From Forests Into Fashionable Fabrics appeared first on EcoSalon.

Artists are working to create a more fashionable frontier for all.

The blank slate of a new year is as seductive as the lure of a crisp white piece of clothing for one’s mishmash wardrobe. We all crave a fresh start and the promise of renewal, although I have never been one to hastily cast off the old in order to usher in the new. I am just way too practical as an artist who examines and preserves every scrap of fiber for some drafty hole that might present itself unexpectedly. 2012 will instead be a continuation of my ongoing mission to seek out individuals who understand the power of resourcefulness and the collective twining of fiber taking flight.

Naturally dyed-fiber from The Sacred Valley of Peru via Source4Style 

2011 found us exploring therapeutic connections between the heart, the mind, and handcrafting, and the year to come will no doubt be a continued testing ground for how and why we choose to implement DIY strategies as well as having increased access to sustainable fiber and artisan-made textiles via sites like Source4Style. I will be looking to designers, (outsider) artists, storytellers, and even urban gardeners for evidence of why the cultivation of local narratives and subversive craftiness makes good sense. It is at the fringe of these diverse realms where I feel that many sustainable solutions reside.

‘Knitta, Please’ urban fiber installation in Sydney, Australia

Fashion happenings are all good fun but for a huge sector of the population, this is still foreign territory and not so inviting at that. Our day-to-day lives are riddled with break out moments of stylistic genius, but it is is our immediate environs that influence how we look and feel in a sustained manner. I like the idea of casting the net wider to consider ideas related to ‘fashioning self and the environment’ – meaning that, a true understanding of how to map out a lasting fashion sensibility must now include a closer (smarter) examination of self in relation to one’s environment and the resources available.

The ‘Knitta, Please’ handknit bus paves the way for a more fashionable frontier

Women are quite good at this. We know how to make do, mend, and even tie together the loose ends to create safety nets for ourselves and those random beings who dare to cross our path. We also know how to turn an impossible situation into a crazy quilt that warms an entire community of loved ones. I am reminded of artist Magda Sayeg who went from being a single mother on welfare to being an entrepreneurial design maven with her knitted public works (aka guerrilla yarn bombing projects) under the studio name, Knitta, Please. In a recent article on Magda’s work in the Wall Street Journal, one is seduced by the power of crafting a path to a brighter future with a stockpile of pop art yarn and the conviction to subversively adorn just about everything labeled commonplace or inconsequential.

Textile scraps being handspun for knit couture by designer Zaida Adriana Goveo Balmaseda

Similarly, I admire how designer Zaida Adriana Goveo Balmaseda is currently scouring the floors of designer work rooms and studios for scraps of textiles that are being hand spun into knitted runway creations for The Green Fashion Competition at Amsterdam Fashion Week in late January.

 Handspun fiber is knitted and prepped  for the runway by Zaida Adriana Goveo Balmaseda

Zaida shared some of the following sentiments with us regarding her resourceful process and intention:

“Through my work I intend to encourage and engage people to use craft for solutions, and for my current project we are recycling studio textile waste. I discovered the spinning process while researching recycled yarns, and given that I was not really satisfied with my finds, I wanted to work with a fiber that I had complete control over and that would positively impact my surroundings, including the people I know. Spinning yarn can be done with a very simple tool, and many people can participate in the transformation of this raw material. In just one week I taught my grandparents, brother, sister, and mother how to spin. We are creating and sharing stories together, and it has been incredibly rewarding to see everyone cooperating and enthusiastically wanting to learn a new skill. Each skein is unique, just like its spinner and the runway garments that we are knitting as well.”

Recycled fiber forms by Abigail Doan include street flotsam and recycled textiles

In regards to my own work, the challenges that interest me the most are those where seemingly complex situations might be untangled and plied into revitalized objects of texture and hue. In preparation for Vogue Knitting Live‘s curated fiber gallery this next week, I have been creating sculptural fiber forms, some of which include “Plarn” or recycled plastic bag yarn created by a Roma woman named Abibe in Eastern Bulgaria. I was introduced to Abibe by my friend Charity Wright, who is currently working as an educator and sustainable business consultant while in the Peace Corps in Malko Turnovo. This historic border town at the gateway to Turkey has a history of traditional textile weaving as well as organic wool production from the flocks that roam freely in the Strandja Mountains. I welcomed this introduction to Abibe, as she was some one who had never worked with recycled materials for an art installation but had instinctively been repurposing items in her own home for a recycled plastics and crocheted eco-accessory collection. Through the bridge that Charity helped to build with this self-taught artist, my most recent fiber forms have even more layered meaning and a connection to the lifecycle of Abibe’s household.

Artist Abibe of Shau New Light, proudly shows off her recycled accessories in Bulgaria

It is interesting to think about fashion as something that connects us to those fibers that transgress borders, trends, and in turn might even redefine who we are dressing up for. It has been eye-opening for me to create my latest work with input from some one who has never traveled out of Bulgaria or visited my distant home, but definitely shares the same worries and concerns as a mother and artist trying to carve out time for herself. I will be so honored to present this effort to the public in New York City next week.

Judith Scott’s fiber sculpture crafted out of recycled textiles and found broken objects

I am reminded also of the fiber artist Judith Scott who was institutionalized for more than thirty-five years for being profoundly “retarded” with Down Syndrome. It was not until Judith’s twin sister Joyce was finally reunited with her, that the threads of this story unraveled. Celebrated in her later years as being one of the most powerful textile artists of this century, Judith Scott is still considered by some to be an “outsider artist” who operated at the far frontier of contemporary craft. Scott’s sculptural forms, created out of artfully wound scrap fiber and broken objects that had been blatantly dismissed, make her pieces ones that rival many of today’s upcycling expressions. Which begs me to ask, whether the plying of the marginal and disenfranchised with our current ideas about what is fashionable might finally redefine the edginess that we are so desperately hoping to occupy? I say, let’s work to ply a more fashionable frontier for all.

lead image: Jazmin Berakha

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The quest for sustainable textile sourcing is surely front and center on every conscious fashion designer’s agenda for 2011. Thanks to new resources like Source4Style, identifying and acquiring sustainable fabrics is becoming less time consuming and arduous in terms of research and supply checks. In addition to recycling and upcycling textiles that are all ready in the waste stream, several resourceful fashion designers have targeted the massive global stockpile of military surplus garments and fabrics. Heather Heron and Christopher Raeburn are standouts in this latest phenomenon, as their chic and functional designs transform high quality fabrics into timeless signature pieces that just might out maneuver sustainable strategies of the past.

Heather Heron  For Environment Furniture

We are not talking about “military chic” here, or the glorification of war-mongering attitudes, but given the fact that our troops have been deployed somewhere at some time for as long as hemlines have been shifting, it is inevitable that there is a hefty surplus of military fabrics on standby for reuse.

As British fashion wunderkind Christopher Raeburn described in an interview with Fiona Sibley of The Guardian, it makes sense that a designer looking for durable (often waterproof) fabrics would choose to tap into a cache of military ponchos, parachute fabrics, and field tested canvas/woolen gear.

“…The military always has to overproduce its garments, so there are warehouses with thousands of square feet of military surplus sitting around. For me, giving that a new lease of life is very interesting. What is available depends on political issues: I use fabric from the UK, Germany and the Czech Republic, but also from the former East Germany, which has a post-cold war feeling. After the first Gulf War there was a fall-out of desert camouflage. I spend a lot of time researching the supply, and now my challenge is to find quantities to make my production scalable, to be able to make 100-200 garments, not a handful.”

Raeburn, who studied at The Royal College of Art and was a February 2009 recipient of the Ethical Fashion Forum’s Innovation Award, works first and foremost as a precision-driven craftsman who artfully transforms military garb into beautifully tailored garments that Vogue, Barneys, and numerous fashion glossies have latched onto. All of his designs are made in Britain, something that allows him to monitor scalable production as well as maintain ethical standards. In the end, Raeburn’s designs are first and foremost about fashion with a production process that just happens to be ethical and conscious in its smart use of materials and built-in functionality.

Comme des Garcons

As the folks at BurdaStyle recently pointed out, designers like Rei Kawakubo of Comme des Garcons have been working with reclaimed garments and dry goods for years. Khaki fatigues patched together with military tent fabric and jackets serve as iconic collage elements for street style dressing. Designer Heather Heron might fall into this camp with her eco-luxe accessories that highlight the raw beauty of vintage military fabrics transformed into sleek clutches, computer sleeves, and totes that are ideal for modern living.

Heather’s most recent collection on view at Environment Furniture’s New York showroom demonstrates the beauty of transforming one basic style of vintage army sack into five functional and smart looking pieces. A pleated clutch crafted out of Swiss army textiles definitely sends a message that sustainable style is more than an attitude; it’s a gorgeous testimony to accessories that just get better with age and personal adventure. Add to this the fact that Heron produces all of her designs locally in California with skilled artisans, and the reports from the field just seem more and more promising. The military “trend” is here to stay and it is up to us to find the most sustainable way of addressing and demobbing the issue.

Lead Image Christopher Raeburn

The post Redeployed Military Fabrics in Sustainable Fashion appeared first on EcoSalon.

Fashion Weeks around the world have taken the headlines by storm with coverage from NY, Paris, Milan and London. And thankfully, each of these international shows have featured sustainable fashion on their runways.

Here in Canada, we tend to hold our Fashion Weeks a bit later in the season, mainly so that our top fashion media outlets don’t have to be in two places at once. This week we are hosting both Montreal Fashion Week and Eco Fashion Week (EFW) Vancouver.

For the first time, Montreal Fashion Week has teamed up with non-profit organization FEM International to present ModEthik, which will feature an exhibition and collective runway show, as well as an educational discussion around ethical fashion and responsible consumerism.

Vancouver is taking it to a whole new level with the first ever Eco Fashion Week. The three-day event will be focused on sustainable fashion and includes a trade show and seminar component as well. I caught up with the organizer, Myriam Laroche, who hopes that buyers will put EFW on their calendars twice a year and that Vancouver will become an international eco fashion capital.

“Our mission with EFW is to make it easy for the fashion industry to take the green road”, states Laroche. “In order to do this, we feel that the educational part of it is extremely important. The runway show presents the look of the collection, and is an opportunity to show buyers how to wear and style the clothes. The trade show provides a platform for designers and buyers to deepen their understanding of eco fashion, and at the same time meet and develop business relationships.”

Eco model, activist, designer, author and sustainable pioneer Summer Rayne Oakes is one of the presenters at Eco Fashion Week Vancouver. Delegates will learn about her new company, Source4Style (which is currently in private beta) – the world’s first online marketplace for designers to search and source leading sustainable textiles. I had a chance to chat briefly with Summer about her talk and the importance of having sustainability sessions at Fashion Weeks across the globe. Here is what she had to say:

“Sustainability is still such a black box in the fashion industry. It’s not uncommon to have workshops and presentations designed to elucidate and untangle its inherent complexities. And if attendance to these talks is any indication of people’s interest, well then I don’t see any sign of it stopping.”

And I couldn’t agree more. The industry is becoming hungry for this information. They want to understand the social and environmental impacts of their work, and how they can do their part. And it makes good business sense for Fashion Weeks to provide the venue for such growth.

Image: Courtesy of Montreal Fashion Week

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You read about, link to and send out tweets talking about a plethora of sites filled with either great content or stunning clothing, and it can be hard to keep track.

I have my own problems keeping up, so maybe I’m doing this for my own good. Regardless, here’s a top 20 round-up of what I consider the best of the best (and most interesting) sites when it comes to shopping as well as learning about eco-designers, trends and news.

(Is it shameless to put EcoSalon and my new eco-boutique Shift in here? Shh…)

Blog Love

Founded and carefully curated by Abigail Doan, Ecco Eco is undoubtedly one of my favorite blogs to peruse as of late for how refreshing as well as interesting the content is: Fiber meets fashion meets art meets couture meets environment? Love it.

Doan is also a writer for other fashion blogs, an editor and an environmental artist residing in NYC and Europe.

She says of her art: “My eco-textile and art farming projects are a means to create sustainable solutions and key visual links to the global challenges we collectively face.”

Ecouterre’s mission? “To follow the evolution of the apparel industry toward a more environmentally sound future, as well as facilitate a conversation about why sustainable fashion matters.”

I just love it when they’re able to shock me with what can be solar or wind-powered in regards to clothing and accessories!

Through a team consisting of the likes of founder Jill Fehrenbacher (also founder of Inhabitat) and Managing Editor Jasmin Malik Chua, we’re able to discover designers taking fashion further than we ever thought it could go.

Run by founder/writer Kate Black,  Magnifeco’s daily eco-fashion and style blog features products that are fair-trade, recycled, reusable, sustainable, organic, and/or vegan.

Through her “Boutique of the Week,” I’ve found online shopping meccas I never knew of.

In writing this I just realized that when you click on any of her blog’s featured photos, you get taken directly to the spot where you can buy them. Nice Kate!

I almost feel like it’s unnecessary to write anything about Treehugger because you all probably follow them. They’re one of the most solid sources for eco-fashion trends, news and upcoming designers.

Why I will write about them is because their prolific writer Emma Grady is one of the hardest working women I’ve come across – writing almost every article you read on the site. While there are a few other writers, Emma single-handedly walks us down catwalks, and shoulders us at events where all the right people are gathering to make some noise.

And we like her for that.

One of the coolest ideas that came around last year to bring an awareness to how many clothes we have and how little we need was from designer Eliza Starbuck designer of Bright Young Things.

Starbuck designed her LBD inspired by how to make a dress “universally wearable yet individually specific,” not to mention sustainable and fashionable. Then she paired-up with Sheena Matheiken of The Uniform Project and women taking on their wardrobes in the form of wear-a-thon’s ensued. Her site chronicles a few women currently participating in their own – utilizing her (Starbuck’s) very own LBD for sale on her site.

“I’ve seen so many women with closets full of clothes who say, “˜I haven’t got a thing to wear.’ I’m giving them one dress that they can wear forwards, backwards, open, again and again, with anything they like.”

Eco-Chick

Eco-Chick Founder and Editor Starre Vartan is who I consider the current go-to green girl.

Not only does she run this blog full of current eco-fashion news, tips and interviews, Starre is the author of The Eco-Chick Guide To Life and can be found editing and guest writing on many popular green blogs. She’s also a great connector and connected to her natural environment which I think helps her to write from an honest place.

Starre Vartan for president.

With a team of writers that spread across four continents, EFW (Eco Fashion World) offers all the latest eco-fashion news and reviews, designer Q&A’s, store profiles, launch updates, and interviews with their “favorite ethical divas.”

I peruse their “comprehensive eco fashion finder” for brands or shops and resources around the globe to save myself time sometimes.

I love designer Tara St. James’ blog because it satisfies many things I need.

1. It’s written from the perspective of a designer, so I get to see different aspects of what designers go through from pattern making to dyeing.

2. I get to see what’s coming up next from a woman I consider pretty damn forward in terms of fashion.

3. I get to shop if I want her limited run pieces.

4. She’s a great writer and keeps me interested.

I don’t need to say any more.

Great Eagan’s FASHIONmeGREEN is a sustainable fashion awareness project and style site featuring eco-fashion makeovers with “style influencers.” Many who thought before Greta’s greening, eco was pretty sucko.

You can check out the FMG Daily for a current feed on what is hot, peruse her “Projects,” where she travels to the fashion capitals of the world to select a fashion influencers, and catch the behind the scenes footage in her webisodes.

Label Gazer’s goal is “to shine a spotlight on the many wonderful designers exploring various areas of socially responsible, ethical and eco-friendly fashion.”

Peruse the site’s designer database comprised of the top designers in the sustainable design field, find great deals at hot sites. And when you see some really forward-fashion-featured, then click on their link to it and voila, you’re instantly at a site ready to buy it.

Very carefully curated and delicious to peruse.

Go-To Industry Resources

Ecotextile News should be at the top of your reading everyday.

This environmental magazine for the global textile and clothing supply chain is published 10 times per year as a magazine, delivered direct to your door, and is a great blog providing expert analysis, in-depth commentary and offers the latest news on ethical fashion.

As a writer I love it because it keeps me up-to-date on lots of interesting issues.

Think you know a few things about organic cotton? Well, you might want to check out this site to see just how much and then keep learning.

Created to be a resource for industry and consumers alike who have an interest in the fiber, this site has ongoing information about organic cotton farmers, farming, designers implementing organic cotton, super-brands and interesting events.

Bookmark this site for sure.

The Ethical Fashion Forum is a non-profit network focusing upon social and environmental sustainability in the fashion industry.

Their mission? “To support and promote sustainable practices, facilitate collaboration, raise awareness and provide the tools and resources needed to reduce poverty, reduce environmental damage and raise standards in the fashion industry.”

Founded by both designers and businesses, this is great tool to help keep your finger on the pulse of industry discussions.

A newcomer to the internet but run by seasoned professionals like Summer Rayne Oakes, Benita Singh and Adam Schwartz, Source4Style is the first online marketplace created for designers and suppliers to search and source the world’s leading sustainable textiles.

You have to sign up to utilize the whole site but there’s a blog at the site where you can keep up to date on a few issues Source4Style is part of.

To even be able to participate on the Source4Style.com platform, the team gives potential suppliers a Sustainability Questionnaire and Fabric Listing, both of which are required before joining the site. This is to ensure the materials they offer are in the most presentable, accurate and transparent way possible for designers and suppliers.

With Summer Rayne Oakes at the helm, I pity the fool who tries to pull a fast one on them

For Eco-Shopaholics

Jennifer Miller, founder of Mission Savvy has five “Missions” that represent her online store: Dream, Compassion, Freedom, Instinct and Voice. Each of these collections represent an animal protection issue. She doesn’t bang you over the head with it, instead she creatively offers you clothing from designers that best exemplify her theme.

Five percent of profits generated by sales from the site are donated to a select group of animal welfare and conservation groups who work on the front lines of tough issues.

Although she’s based in Charleston, West Virginia, Miller oftentimes takes her show on the road to a city near you. Check out her tour schedule.

Based in New York City, Kaight’s brick-and-mortar shop and online site has taken center stage for awhile when it comes to boutiques, and there’s good reason for it.

Kaight owner Kate McGregor is always thinking ahead.

She’s another super hip woman having parties with designers, listening to feedback from customers, being a part of the sustainable solution and having a Melissa Store within her store. Too cool.

Designer Lina Rennell who owns Beklina is a marvel at what she puts into her store’s collection.

Think clean, modern eco-design meets art.

Just going to link to the site for this post got me distracted and wanting more from her.

Jute and Jackfruit was at EcoSalon Shops! and it was the first time I got to see a representation of the store and I loved it.

A nice collection of some of the more well-known designers in the field today. The site boasts nice clear pictures, so I can easily check out the clothes I am considering purchasing.

One important goal of Jute and Jackfruit is to empower women worldwide, as the site donates one percent of revenue to environmental and social causes.

“We try to partner with and support independent women designers here in the United States as well as designers and products that are made by women’s artisan groups and cooperatives overseas.”

Based in San Francisco, Eco Citizen’s brick and mortar and online shopping venue are owned by Joslin Van Arsdale who’s background in textiles, trend forecasting and writing help her curate this amazing shop.

Men will be happy there’s something there for them too!

Says Van Arsdale: “It feels good to know that the items I sell are not only well-designed, but also fair trade, organic and sustainable – to know this gives me a purpose.”

Me too, I’m going to get a pair of Melissa shoes as soon as I finish this post.

Foundfuture founder and former 400 Showroom co-owner Shannon Lorraine opened this little marvel this year and I always go back to it when I want inspiration for fun accessories or well, just to buy them.

Mi Asunta’s sexy necklaces and sweet swallow head bands by Love From Hetty and Dave give me that little bit of country and little bit of rock and roll I so desperately need.

Artists running boutiques? Keep it coming.

Sodafine’s designer Erin Weckerle’s boutique specializes in innovative and unique handmade clothing, accessories and gift items, not to mention a ” selective collection of vintage clothing.”

Based in Brooklyn, this sweet little haven of ethical goodness loves its designers and we love them too.

Image: garryknight

The post Your One-Stop-Shop for the Top 20 Eco-Fashion Sites appeared first on EcoSalon.