Earth Day gets us thinking about our first.

You know, our first beach garbage pick-up, Earth Day concert, camping under the stars, organic meal – and for us fashion gals, clothing!

My first? A beautiful embroidered, organic cotton dress from designerEmily Katz who was then known as Bonnie Heart Clyde. I still own the dress and only wish we could see more from Emily (stop being such a foodie and get designing girl!)

For some of us, eco-fashion based finds were due to frugal funds as college students, for others, a conscious choice to do something different. We caught up with some of our favorite sustainably-minded fashion mavens and asked the question “Do you remember buying your first piece of sustainably designed clothing and did you buy it knowing what it was?”

Here’s what they had to say.

Anna Griffin CocoEco Magazine Publisher and Editor-In-chief

“Yes, it was a lilac and pink Deborah Lindquist recycled cashmere scarf, with a skull and crossbones that I bought three years ago from a store in West Hollywood. I had had my eye on it for ages, and was so thrilled when I finally bought it that I put it on, even though it was 80 degrees outside!”

Jasmin Malik Chua Ecouterre Managing Editor

“Yes, a sleeveless organic-cotton wrap dress from the now somewhat defunct Canadian label Twice Shy. It was purchased circa 2006, sometime after I learned about the ills of conventional cotton farming.”

Sara Ost EcoSalon Publisher and Editor-In-Chief

“I don’t remember the first sustainable piece I ever bought, because looking back there were plenty of eco-friendly things I would buy but I didn’t realize it at the time. Things started to click for me several years ago when I bought a pair of Serfontaine jeans on vacation in Marin County (I lived in L.A. at this point). They aren’t perfect, of course, but the Made in USA and natural dyes message caught my attention. I was so careful about what I ate, it suddenly struck me as odd that I was not being more conscious of what I wore: in short, a whole lot of petroleum and chemicals.”

Kate Black Magnifeco Managing Editor

“Yes, I remember by the time I started to get really interested in sustainable clothing I was living in Tokyo (and running the blog) and couldn’t read any of the clothing tags. Then along came a 50 percent off offer from Envi – and I stocked up! Organic cotton (yay!) shipped from Boston to Tokyo (nay!)”

Greta Eagan EcoSalon Fashion Writer, filmmaker, founder of gretaguide.com, fashionmegreen.com

“Hmm, I think my first sustainable fashion piece was from Buffalo Exchange when I was in college in Boulder, CO. As a student on a budget and also at a time when I was exploring my fashion identity I would go to the famous thrift store and swap out old clothing for ‘new to me’ pieces. I can’t quite remember the first article of clothing, but I do remember this one dress that was made of silk scarves and crafted in a very artistic way. I definitely didn’t know that I was participating in sustainable fashion back then – but I did like the idea of re-using clothing and exchanging what I no longer wanted for something that held more appeal.”

Bahar Shahpar Sustainable Style Expert

“Four years ago, I snagged this inky black oversized hand-knit scarf at Atrium – I saw the hulking pile of chunky alpaca amazingness from across the room and had it wrapped around my neck before I even thought to look at the label. The thing is, having just started my trial-by-fire introduction into sustainable design with the launch of my womens wear line, I already knew what to look for and what to avoid, but that day I was completely engulfed by the “Feelgood Quotient.” I may have lucked out, because the scarf was by Edun and I was able to march up to the register without much guilt – but I think that only goes to show that things that are made better actually do feel better. Shopping can be simple, if we spend more time listening to our instincts instead of the advertising.”

Rowena Hutchinson Ritchie EcoSalon Fashion Writer, Publicist and Blogger for the Innovative Fashion Council

“As a teen, I bought a champagne-colored silk brocade 1950’s shirt-waister with a full skirt from a stall at Covent Garden. I treasured that dress and would mooch around my Mother’s living room pretending to be Grace Kelly. Last year (and two decades later), I took it into a La Rosa Vintage in San Francisco and swapped it for a 30’s cocktail dress whose diamante deco-designed sleeves are a topic of conversation at every party I attend. The idea that an item of clothing can still be relevant and beautiful more than 80 years after it was made speaks to the new fashion ethos. We need clothes designed to be treasured and timeless and to foster an emotional connection with its wearer and, hopefully, multiple wearers.”

Starre Vartan Founder and editor-in-chief of Eco-Chick, author of The Eco-Chick Guide to Life, managing editor of Greenopia and a contributor to The Huffington Post

“After years of creating my own upcycled clothing (I specialized in inserting castoff fabrics into my cords and jeans to make them super wide-leg…yes it was the 90’s!) I then moved to shopping at mainstream stores and thrifting about 30 percent of my wardrobe for many years. My first piece of sustainably designed clothing was a pair of hemp trousers from The Hempest in Burlington, VT in probably 2002. They are black, read as linen (but don’t wrinkle), and I still wear them as they are supersoft and worn in perfectly.”

Kelly Drennan EcoSalon Fashion Writer, Founder of Fashion Takes Action

“I have been buying second hand and vintage clothing for years, dating back to university. However, then it wasn’t about being sustainable as much as it was about being frugal with my non existent student income. From there I was introduced to the concept of locally made clothing, having worked with a few local designers in Toronto. Annie Thompson in particular was one of my favorite local designers as she was also known for incorporating recycled fabrics into her designs.  But my first piece of clothing made from a sustainable fabric, is a bamboo kimono style jacket from Thieves that I purchased in spring 2007. Back then I, like mostly everyone else, thought bamboo was a sustainable fabric. And I wore that jacket everywhere! I still own it, and yes, I still wear it. But my reasons for wearing it have changed. When I first got it, I wore it because it was sustainable first, and stylish second. Now I simply wear it because it is a timeless and stylish piece. And it is still a conversation piece, only the conversation has changed. Rather than talking about what sustainable fabrics are and how they are better for the planet, I now talk about the reasons why bamboo is not sustainable.”

Shannon Lorraine Founder of online boutique Found Future

“I remember mine! It was five years ago and I was working as a buyer and buying high-end denim – Citizens, Ag etc… And we picked up loomstate and I did know much about the line. I bought myself jeans and an perfect tee – which I still wear!”

Image: rzacakes

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It’s hard to wrap your brain around shorter skirts unless:

1. You have killer legs

2. You are young

3. You are a cheerleader or

4. You don’t care, you like to expose yourself.

If you’re #4, just do you what you want you little vixen, but for the others there’s a little forethought involved with this trend.

Straight, high-waisted, bell-shaped, A-line or pleated, short skirts  are everywhere and this might be your season to experiment.

While the weather’s cooler, black or grey opaque or patterned tights give your legs length and coverage and look great with a bell-shaped skirt and a more fitted top. If you’re going for a straight mini, same tights but add a top with flounce.

Flats and heels completely change the look, as well, so play with it and accessorize so not so much focus is on the hemline of the skirt but rather the complete package that is you.

In the warmer months when it’s time to unveil, abide by the same rules, and just make sure you heed the law of the mini: be a lady when you sit.

This bell shaped Tulip Skirt by eco-designer Emily Katz is a winner (and recently picked up by Anthropologie) and would look great with a short, black blazer and some layered gold necklaces.

My only question: how can I get a pair of legs like hers?

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You like to buy U.S. designed and manufactured clothing, but how do designers feel about their roles in it?

11 designers would like to tell you.

Emily Katz: I enjoy being able to talk with my contractors, meet with them when need be to make sure they are doing the quality that I require, and know that they are only a few miles away. I could bike to 2 out of 3 of my sewers’ workplaces. I think it is important to know how the garments are being made and to have a hand in it. However, we still need to find cheaper ways to produce locally. It is difficult to compete with big brands who are “luxury” and are charging the same amount as small eco designers who manufacture domestically. They have a much higher profit margin, and that can be the difference from staying in the mainstream consciousness, or going out of business.

Angel Court Jewels: To me, an eco line is about a concern for the whole. Producing in the U.S. is the same sentiment. Production in the U.S. helps us all just as producing and buying eco helps us all.

Aster and Sage: I’m in New Jersey and my products are made by me or by my stitchers in New England. UPS ground guarantees next day delivery, so I can get stuff to or from them overnight. I can visit them easily (though I wish I did that more often). I think it’s a little like buying fruits and vegetables; I may think globally, but I try to eat and manufacture locally.

Filly: I benefit from manufacturing in the USA by being able to connect with my manufacturer. I know her. Her name is Mary. She lives in San Francisco. She drives a Mercedes. And she likes my designs. She is beautiful and kind and rooting for me. Neither of us is exploiting the other but we are both benefiting from our relationship.

cmarchuska: I benefit from having my line manufactured in the U.S. for numerous reasons; some of the most notable would be:

– quality control standards – I am able to be involved actively in every aspect of the manufacturing process and to make sure the pieces are put together according to my standards.

-shorter runs/on-demand runs – Manufacturing in the U.S. provides you with the luxury of being able to produce smaller run sizes and on-demand runs which is very important in this tough economy.

-fair trade/fair labor/eco-friendly processes – I guess this relates more to start-ups and smaller companies, but you are able to oversee the operation (as mentioned in my first point) versus working with China/India where you might just be entrusting another individual on these very important issues.  This was one of my main reasons for manufacturing domestically here in NYC.

Souchi: I love that our production is not only made in the U.S. but that 100% of our line is made in our studio in Portland, Oregon. The benefits are on many levels: creating jobs in the town I live in, overseeing quality on each piece, cutting shipping costs which  lowers fuel costs.

Figs and Ginger: We benefit from feeling good about supporting our local economy.  There’s nothing better than feeling good about yourself!  Also we have much more control of the quality of our products because we’re making it ourselves in the U.S. and not having it produced overseas.

Kate Organic: Producing Kate Organic in the U.S. 45 minutes from our house has a lot of positives and negatives. We like being in control from start to finish, but, we hate being in charge from start to finish. Every decision is ours. Every choice that is right or wrong is ours. No excuses! When we made the line overseas, sometimes it felt like flipping a coin and whatever you got, you got.

It is nice to keep as much money in the U.S. as possible. But, since it is made in the U.S. the costs are so much higher. Stores do not like that the costs go up. They want it made in the U.S., but they want it at a lower price point, so it gets rough. At this point our biggest issue is keeping stores in business.

Feral Childe: Feral Childe works with printers, dye houses, cutters and sewers within a 50-mile radius! Brooklyn, Queens, Manhattan, Long Island and Paterson, New Jersey are also frequent stops. We want to support our local garment industry and have become so friendly with our suppliers and contractors that it would break our hearts to get our clothes produced elsewhere. The New York City Garment District is totally unique. Where else can you get your clothes cut and sewn on the sixth floor, run across the street when you discovered you’ve run out of elastic, dash back upstairs and then scoop everything up to get the snaps put on by the guys on the sixth floor? Not to mention our accountant and our favorite fabric showroom are across the hall from one another in yet another tall building! It’s one-stop shopping. Business is very much done by word of mouth here so everyone really counts on one another – it really is a community. We love the history of the Garment District and we are proud to produce Feral Childe in New York City.

Mothlove: The costs I face as a small/independent and American-made designer currently outweigh the benefits. The average citizen has been so spoiled by low-cost, poorly-made and outsourced products, reluctance to truly support local artisans remains. Education is key; re-learning the importance of not only locally-made, but well [made] – and with environmental/economical consciousness comes cost. Costs to the designer (especially small-scale designers) in supplies and production equal higher price tags, especially in independently owned/operated boutiques – the new “mom & pop” shops that support them. Without supporting the boutiques, we don’t support the local economy. Without supporting our local economy, we lack the support for the artisan. And without the local artistic community, we lack culture.

Kim White: Number one, my buyers care. They ask where my stuff is made. Number two, locally made means I can see production and catch mistakes. I don’t get production from, say China, and it’s done wrong. Quality Control is waaaay easier.

Image: The Shopping Sherpa

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