Chelsea Handler is best known for her boozy, tell-it-like-it-is, #freethenipple comedy. It looks like Handler’s new show will mostly stay true to her original form —  this time around, Handler’s trading her booze for drugs. So, samesies, basically.

According to Vulture, Handler’s new Netflix show will be a docu-comedy series. You may remember that Handler previously had a show on E! that she wasn’t the biggest fan of. Vulture reports that at the Wednesday Forbes Women’s Summit, Handler said that she “could have gotten paid $10 million a year for the next five years” but she was dissatisfied.

“I thought, ‘this show isn’t as smart as me. I want to do a show that’s smarter than me,’” reports Vulture.

Handler’s hoping her new docu-comedy will be that smart show. “It’ll be like a younger, hipper, cooler 60 minutes… I want to immerse myself in things I know nothing about,” she told The Wrap.

So far, it looks like her show will, at the very least, be entertaining.

Handler’s new Netflix series will allow the comedian to focus on experiencing and reporting four specific experiences:

– “Chelsea Does Racism:” According to Vulture, Handler just returned from filming in Alabama. In this segment, Handler “told the story of a man who thought that the biggest misconception about the South was that slavery wasn’t all bad.” Charming.

– “Chelsea Does Silicon Valley:” Not a lot of information about this segment, except that Handler has already visited Twitter offices topless. Sounds about right.

– “Chelsea Does Marriage:” In this segment, Handler explores the topic of marriage now that’s she’s 40 and not married.

– “Chelsea Does Ayahuasca:” This is the segment that’s getting all the press. Ayahuasca is a psychoactive drink made from a South American vine and herbs. In this piece, Handler will visit Peru “and drink the traditional hallucinogenic brew with a shaman while on medical supervision,” reports Vulture. Anyone waiting to see Handler high will be sorely disappointed because she won’t be on camera during the ceremony. In addition to drinking ayahuasca, Handler also will try and report the effects of her brain on things like Xanax and psilocybin mushrooms.

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Did Netflix just redefine late night television with acquiring Chelsea Handler’s show?

The internet is abuzz with Netflix’s biggest announcement since launching its original programming with “House of Cards.” What sets the Chelsea Handler show apart from Netflix’s other programming is that it’s a talk show. Not exactly binge-watch material.

Editor-in-Chief of Variety, Andrew Wallenstein wrote: “Well, there’s two different ways to view the Handler hire: as a deviation from a core strategy or the formation of a new strategy. Either way, the move begs explanation.”

I say it doesn’t beg anything, save for its obvious plea: watch me.

The late night talk show scene has been defined for more than half a century as hosted by way too many moderately funny white guys. I’m not saying that’s a sexist decision as much as it’s one of convenience–if not a boring move, even though I’m pretty excited for Stephen Colbert to take over the Late Show from David Letterman next year.

Handler’s name was tossed about as a possible replacement for the Late Show spot, but deep down we all kind of knew that the most coveted late night seat would not be breaking from tradition, at least not yet, anyway. Handler could have taken Craig Ferguson’s spot. But that’s a sleepy time slot time. She knows better.

As an avid fan of “The Daily Show” and “The Colbert Report”, it is extremely rare that I watch the shows at 11/11:30 respectfully. But I do watch them with as much commitment as being a new mommy allows—sometimes that’s a full day or even a week later. Netflix is banking on this approach with the Chelsea Handler show because she already has an audience who will make the time to watch her show. For the people who may tune in but not stick around for a full episode, Netflix knows those viewers are more likely to move around the site, and that’s never bad for an online business that represents a whopping one-third of all Internet bandwidth in the U.S.

And this is my best guess as to why the networks didn’t go with Handler or anyone who wasn’t a moderately funny white guy. It’s not a sexist move, but a strategic one. In light of what the Internet is doing for entertainment, which is already proving to be huge, we can anticipate seeing the “original” networks revert back to even more rigidly classic programming styles to define their place in the entertainment world. While streaming web content is replete with the ‘anything goes’ tagline, networks are becoming stylized iconic brands like Ralph Lauren, Levi’s or Nike—there may have been periods where they were no longer quite in fashion, but once they figured out how to stop chasing trends and just do what it is they’re really good at, consumers embraced them with even more intensity. Network television will soon become the equivalent of a really well made pair of jeans, shoes or a timeless sweater you want to have in your wardrobe. That means conceivably “safer” programming choices for networks. Classics. More men in suits. Better news reporting. Dorkier family humor programming. That’s not Handler’s style and that’s not Netflix’s style, either, but we’re lucky now to have so many options at our fingertips.

Find Jill on Twitter @jillettinger

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QuotesDaily quotes at EcoSalon.

“There are two kinds of people I don’t trust: people who don’t drink and people who collect stickers.”

– Chelsea Handler

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