It’s not that “I think, therefore I am,” but rather, “I am, therefore I feel.” No doubt about it, Miru Kim’s serie…
heARTbeat: Ran Hwang’s Art Transcends The Idea of a Woman’s Work
Ran Hwang’s environments transport us to feelings, places, and concepts we find familiar and new. As a first-world…
heARTbeat: Qi Wei’s Exploded Flowers Portend the End of a Season
Qi Wei’s Exploded Flowers series explores the complexities of nature in order to appreciate its simple beauty. Art…
heARTbeat: Tomaas’ Photographs Consider Plastic as ‘The New Black’
A fashion photographer gives us a fresh take on the ubiquity of plastic. Plastic never fully decomposes. Over time it go…
heARTbeat: Hao-ni Tsai Explores Abandoned Materials in Her Hybrid Series
Hao-Ni Tsai’s work seeks to juxtapose material with culture, informing a new kind of textile craft. In her series …
Heartbeat: Doris Mitsch’s Posies for Predators Asks, “Can you See Red & Green?”
Posies for Predators questions whether colorblindness lends some advantage to seeing the world. Doris Mitsch seduces us …
HeARTbeat: #walkingtoworktoday Project by Michael Surtees
Stop and take a snapshot of the roses the next time you #walktowork. Perhaps, dear reader, you’re wondering what t…
HeARTbeat: Marie Rouillon Wants You to Reach Out and Touch Something
We’re not totally senseless. Nevertheless, as Marie Rouillon explains, we could use a reboot in the tactile depart…